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Further Reading
Baigell, Matthew. Thomas Cole.
New York:
Watson-Guptill Publications, 1981.
Cole, Thomas. The
Correspondence Of Thomas Cole and Daniel Wadsworth: Letters in the Watkinson Library,
Trinity College, Hartford and New York State
Library, Albany N.Y. Edited by J. Bard McNulty. Hartford,
Connecticut: Connecticut Historical
Society, 1983.
Cole, Thomas. Thomas Cole’s
Poetry: The Collected
Poems Of America’s Foremost Painter of the Hudson River School
Reflecting His Feelings for Nature and the Romantic Spirit of the
Nineteenth Century. Compiled and edited by Marshall B.
Tymn. York, Pennsylvania: Liberty Cap Books, 1972.
Cole, Thomas. The Collected
Essays and Prose Sketches. Edited By Marshall Tymn.
St. Paul, Minnesota: The John Colet Press, 1980.
Flexner, James Thomas. History
of American Painting: That Wilder Image, the Native School from Thomas
Cole to Winslow Homer. Boston: Little, Brown, 1962; New
York: Dover Publications, 1970, 1988.
Foshay, Ella M. and Novak, Barbara. Intimate Friends: Thomas Cole, Asher B.
Durand, and William Cullen Bryant. New York: The New York
Historical Society, 2000; North Country Books, 2001.
Kelly, Franklin. Frederic
Edwin Church and the National Landscape. Washington, D.C.:
National Gallery of Art, Smithsonian Institution Press, 1988
Myers, Kenneth. The Catskills:
Painters, Writers, and Tourists in the Mountains, 1820-1895.
Yonkers, New York: Hudson River Museum of Westchester, 1987,
1988. Distributed by University Press of New England, Hanover.
Myers, Kenneth. “On the
Cultural Construction of Landscape Experience: Contact to 1830.” From
American Iconology. Edited by David C. Miller. New
Haven, Connecticut: Yale University Press, 1993.
Noble, Louis Legrand. The Life
and Works of Thomas Cole. Edited by Elliot S.
Vesell. Hensonville, New York: Black Dome Press, 1997 (reprint).
Parry, Ellwood C., III. The Art
of Thomas Cole: Ambition and Imagination. Newark,
Delaware: University of Delaware Press, 1988.
Powell, Earl A. Thomas Cole. New
York: Harry N. Abrams, 1990, 2000.
Robinson, Christine T. Thomas
Cole: Drawn to Nature. With essays by John Stilgoe,
Ellwood C. Parry III, and Francis F. Dunwell. Albany, New York:
Albany Institute of History and Art, 1993.
Schuyler, David. The New Urban
Landscape: The Redefinition of City Form in Nineteenth-Century America.
Baltimore: Johns Hopkins University Press, 1986, 1988.
Sweeney, J. Gray. “’Endued with Rare
Genius:’ Frederic Edwin Church’s To the Memory of Cole.”
American Art, Winter 1988. Vol. 2, No. 1.
Truettner, William H. and Wallach, Alan (editors). Thomas Cole: Landscape into History.
New Haven, Connecticut: Yale University Press; Washington, D.C.:
National Museum of American Art, Smithsonian Institution, 1994.
Wallach, Alan. “Thomas Cole and the
Aristocracy.” From Reading
American Art. Edited by Marianne Dozema, Elizabeth Milroy,
and Marianne Doezema. New Haven, Connecticut: Yale University Press,
1998, pp. 79-108.
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